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Sunday, February 5, 2012

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The Best of Ed Bruce Best

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The Best of Ed Bruce Overview

Today Ed Bruce is better known as the author of "Mammas Don't Let Your Babies Grow Up to Be Cowboys" and as James Garner's sidekick in Bret Maverick than as an artist himself. There's a reason for that--he was a mediocre singer. His baritone suffered from a cramped range, a thin tone, and a mumbled delivery. That didn't stop him from having half a dozen Top-10 country hits, however, for he was a skillful songwriter with a knack for coming across as a gruff, grizzled cowboy even as he was being unabashedly sentimental. Between 1980 and '86, Bruce scored 16 Top-25 country singles for MCA and RCA, and all of them can be found on The Best of Ed Bruce, a single-CD anthology filled out by "Theme from Bret Maverick" and Bruce's original '75 version of "Mammas Don't Let Your Babies Grow Up to Be Cowboys." As a summary of his career, The Best of Ed Bruce has several limitations. It includes none of his early rockabilly and hard-country singles for Sun, RCA, Wand, Monument, and Epic. It also omits his own versions of the big hits he wrote for other singers: "See the Big Man Cry" (Charlie Louvin), "Restless" (Crystal Gayle), and "The Man That Turned My Mama On" (Tanya Tucker). Moreover, the brief liner notes make no mention of the musicians who played on his hits or of his ex-wife Patsy Bruce who co-wrote many of them. --Geoffrey Himes


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Friday, February 3, 2012

Check Out The Beat Goes On: The Best of Sonny & Cher for $7.98

The Beat Goes On: The Best of Sonny & Cher Best

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The Beat Goes On: The Best of Sonny & Cher Feature

  • SONNY & CHER THE BEAT GOES ON

The Beat Goes On: The Best of Sonny & Cher Overview

SONNY & CHER THE BEAT GOES ON

The Beat Goes On: The Best of Sonny & Cher Specifications

Sonny Bono was a record-biz vet by the time he hooked up with a teenaged female singer named Cher. After a 1963 flop under the name Caesar and Cleo, the pair clicked with "I Got You Babe," a leap onto the folk-rock bandwagon that made them America's favorite pseudohippies for a brief moment. Cher's less-than-dulcet tones never sounded better than when placed next to Sonny's nasal croak. As for Sonny himself, his solo protest work--including "Laugh at Me," later covered by Mott the Hoople--is excerpted here. There are no words. --Rickey Wright


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*** Product Information and Prices Stored: Feb 04, 2012 09:14:36